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I wish I could stop it
As it's always on my mind
It's a string on my finger
Of all that's left behind
What is there left to say
As I let us fade away?
In the early morning
The tide rolls in again
It grazes me gently
And brings me back to then
Let the current take me
Let the current take me back there
Let the current take me back there now
Let me the current take me
credits
from Plastic Sun,
released January 5, 2023
Recorded at Strange Weather in Brooklyn, NY
Engineered & mixed by Garret De Block
Mastered by Alan Douches at West West Side Music
Cover art by Anthony Perry
Takes me back to my high school classroom during the days of binging Inio Asano's old manga scanlations before anything was licensed. At that time, I was discovering many kinds of Asian shoegaze, but I've never heard anything like this. Makes me think of Pasteboard, Supecar, and Midnight Pingpong a bit, and it's funny bc the first two I listen have blue album covers too. Lu
Shoegaze ist die Kunst des Dröhnens, doch „Everything Is Alive“ setzt diese Elemente nur sparsam ein. Statt Hall- und Zerr-Sounds aufzutürmen, schäumt die Musik in feinen Bläschen über.
https://tortue.substack.com/i/140348114/slowdive-everything-is-alive-dead-oceans Daniel Welsch
The latest EP from Brooklyn’s Gilah is an explosion of sound and color, with oceanic guitars and dreamlike melodies. Bandcamp New & Notable Nov 14, 2020